景泰蓝赏瓶

景泰蓝（Cloisonne），中国的著名特种金属工艺品之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种瓷器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”

The technique of enamel painting originated in the Frandez region of Belgium, France and the Netherlands in the middle of the 15th century. At the end of the 15th century, Rimoju, in central and Western France, developed into a major city of enamel painting based on its internal enamel-filling process. In its early stage, it made religion-themed objects, and later gradually made decorative crafts. With the frequent trade exchanges between East and West, especially since the Qing Emperor Kangxi laid down Taiwan in the 23rd year of the Qing Dynasty (1684), the sea ban was opened and the Western products began to pour in. Western enamel was introduced into China from Guangzhou and other ports, and was manufactured locally. It was called foreign enamel, and it was called wide enamel in the palace. At that time, most of Guangzhou's products retained the charm of Western culture. Because of the low firing technology, the glaze color was unstable. In the fifty-eighth year of Kangxi (1719), Chen Zhongxin, a French enamel artist, was invited to Beijing to direct the firing of painted enamels in the inner court. Its style and design are mainly Chinese style, with few features of Western enamel painting.

景泰蓝是古代劳动人民智慧的结晶。在历经元、明、清三代王朝的历史变革中，勤劳智慧的工匠艺人用他们的双手创造了灿烂的景泰蓝他们用简单的工具锤击紫铜板制成胎型、手工掰丝掐成花卉等各种不同类型的图案、用小铲填充各种彩色釉料、用炉火将釉料烧结在掐好丝的铜胎上、游人还可以看到那时的留下来的为数不多的景泰蓝艺术珍品，现今民间亦流传着一些的元、明、清朝代时的景泰蓝珍品。

The technique of enamel painting originated in the Frandez region of Belgium, France and the Netherlands in the middle of the 15th century. At the end of the 15th century, Rimoju, in central and Western France, developed into a major city of enamel painting based on its internal enamel-filling process. In its early stage, it made religion-themed objects, and later gradually made decorative crafts. With the frequent trade exchanges between East and West, especially since the Qing Emperor Kangxi laid down Taiwan in the 23rd year of the Qing Dynasty (1684), the sea ban was opened and the Western products began to pour in. Western enamel was introduced into China from Guangzhou and other ports, and was manufactured locally. It was called foreign enamel, and it was called wide enamel in the palace. At that time, most of Guangzhou's products retained the charm of Western culture. Because of the low firing technology, the glaze color was unstable. In the fifty-eighth year of Kangxi (1719), Chen Zhongxin, a French enamel artist, was invited to Beijing to direct the firing of painted enamels in the inner court. Its style and design are mainly Chinese style, with few features of Western enamel painting.

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