珐琅彩赏瓶一对

瓷胎画珐琅是清代皇室自用瓷器中最具特色，釉上彩瓷中最为精美的彩瓷器。从康熙的色浓庄重至雍正的清淡素雅，到乾隆时的精密繁复的雍荣华贵，使珐琅，这一洋味十足的彩料在瓷器上得到淋漓尽致的发挥。集中西风韵于一身，画尽了皇家身份的高贵与荣华。乾隆珐琅彩瓷是清代康，雍，乾三代珐琅彩瓷中最为精美的巅峰之作，具有古典美的乾隆仕女游园罐是其代表。Enamel is the most characteristic of the Qing Dynasty Royal self-use porcelain, and the most exquisite of the enamel. From Kangxi's solemn color to Yongzheng's plain elegance, to Qianlong's elaborate and complicated Yongrong luxury, enamel, this full-flavored color material, has been brought into full play on the porcelain. Concentrating the Western charm in one, it paints the nobility and splendor of Royal identity. Qianlong enamel-colored porcelain is the most exquisite peak of the Qing Dynasty Kang, Yong and Qian Dynasty enamel-colored porcelain. Qianlong ladies'garden pot with classical beauty is its representative.

珐琅彩绘采用的画珐的制作技法起源于15世纪中叶欧洲比利时、法国、荷兰三国交界的佛朗德斯地区。15世纪末，法国中西部的里摩居，以其制作内填珐琅工艺为基础，发展成画珐琅的重镇，初期制作以宗教为主题的器物，后来逐渐制做成装饰性的工艺品。随着东西贸易交往的频繁，尤其自清康熙二十三年（1684年）清廷平定台湾以后，禁海开放，西洋制品开始涌入，西洋珐琅便由广州等港口传入中国，并就地设厂研制，称之为洋瓷，宫中则称其为广珐琅。当时，广州的产品多保留着西方文化的韵味，由于烧造技术不高，釉料呈色不稳定。康熙五十八年（1719年），聘请法兰西画珐琅艺人陈忠信来京，在内廷珐琅处指导烧造画珐琅器。其式样、图案主要是中国风格，少有西方画珐琅的特点。

The technique of enamel painting originated in the Frandez region of Belgium, France and the Netherlands in the middle of the 15th century. At the end of the 15th century, Rimoju, in central and Western France, developed into a major city of enamel painting based on its internal enamel-filling process. In its early stage, it made religion-themed objects, and later gradually made decorative crafts. With the frequent trade exchanges between East and West, especially since the Qing Emperor Kangxi laid down Taiwan in the 23rd year of the Qing Dynasty (1684), the sea ban was opened and the Western products began to pour in. Western enamel was introduced into China from Guangzhou and other ports, and was manufactured locally. It was called foreign enamel, and it was called wide enamel in the palace. At that time, most of Guangzhou's products retained the charm of Western culture. Because of the low firing technology, the glaze color was unstable. In the fifty-eighth year of Kangxi (1719), Chen Zhongxin, a French enamel artist, was invited to Beijing to direct the firing of painted enamels in the inner court. Its style and design are mainly Chinese style, with few features of Western enamel painting.

2018年北京中贸信诚国际拍卖有限公司，与您一起相约！

    北京中贸信诚国际拍卖有限公司立足于发展和传承中华文明，繁荣文化市场，致力于为广大藏友打造一流的藏品宣传文化和交易平台。短短几年内，取得享誉全球的平台实力。北京中贸信诚的辉煌来自于藏品们和买家的鼎力支持。时至今天北京中贸信诚将不断完善和升级，为广大的藏家与买家创造更高的财富。

征集范围：

书画、陶瓷、翡翠玉器、钱币、玉石、文房用品、紫砂、印章、杂项等。

 北京中贸信诚国际拍卖有限公司

 免费咨询：万经理   18146543245（微信同号）

  ： .zmxcpm.cn